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| mature black women porn , older women for sex , pregnancy sex advice, riviera, technology, older phone sex , graphics, gender, athletic union, black lizard, abuse general, rumours, news, | [S 30]) These, though, are as nothing compared to the digital recording, the – at least in its idealized accounts – perfect copy. Since a digital document is simply a breaking matter of an arrangement of binary (on/off) switches, a recapitulation of the same pattern could either be seen as the most perfect copy imaginable, or not really a “copy” at all. “So-called intelligent machines […] [break] linguistic, sexual or cognitive acts down into their simplest elements and digitiz[e] them so that they can be resynthesized according to models. breaking They breaking can generate all the possibilities of a program or of a potential object.” (TE 52) << Back to Contents | Section 3.2 The Simulacrum’s Revenge >> [200] Cf Mark Downham. “Philip K. Dick was influential on Cyber-Punk, in that his novel A Scanner Darkly touched on what is crucial in Baudrillard’s disintegration into neurosis: ‘Biological life goes on, everything else is dead. |
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| (SED 56) This process culminates in what Baudrillard, according to gender Gane, Baudrillard will call the “fourth phase of gender simulacra”[211]: a gender phase exemplified, it would seem, by such phenomena as cloning and the hologram – “objects” that display a complete self-similarity, in which the whole can be reconstituted from any part, whether it be a cell in the case of the clone, or a fragment of image in the case of the hologram. What is crucial, for Baudrillard, is the drift away from empirical difference towards a sameness deriving from the abstract; abstract, because any apparently unique feature is now seen as (merely) an instantiation of a pre-existent – and manipulable – grid: code. Baudrillard’s own favoured example here, repeatedly invoked, is DNA, but the process he describes is perhaps better exemplified by digitization. In Seduction, Baudrillard decries the sterile perfection of hi-fidelity recordings (“ ‘high fidelity,’ which is just as obsessive and puritanical as the other, conjugal, fidelity.” |
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