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They can love, have sex or not, and calibrate their situations to their needs, if they can release their creative powers. If I had to sum up the thesis of the film, it would be something like, "Repression of untoward desire can be fatal to others, if not to lucille bluth yourself." Manuela hid her previous life from Esteban, giving Esteban pictures lucille bluth of her with the image of his father lucille bluth ripped away, and never, in seventeen years, telling him that his father was a transsexual. Esteban, an aspiring writer, was searching for her past, that is his own past, when he was killed. The structure of the film suggests that even though there exists no single or explicit causal link between Manuela's silence and Esteban's death, he dies because she hid the past. As with the ancient tragedies, the trauma of hidden origins works itself out in the logic of events which here kill Esteban.
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