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“Then why don’t you leave me at home when the rest of you go out on the boat every weekend?” I’d argue. “That way I can learn about sex in my own bed.” That’s how I remember it, but I the camera my mother gave me doubt the camera my mother gave me that either of us would have actually used the word “sex” at the time. In each of the seven essays in this collection, I found parts of both my mother and myself. “Sex was never mentioned in our home,” Nancy Lee says in “If You Can’t Be Good.” “I the camera my mother gave me may not be lovable, but my mother loves me,” Hiromi Goto writes of herself as a teen. “When my nerves aren’t jangling from a fight with my mother, I’m often walking around in a haze of bafflement,” says Melanie Little, “trying to figure out how human beings can sustain such nastiness.” “I have feelings too!” Tien Ng-Chan’s mother shouts, when she’s finally had enough; her daughter screams “I HATE YOU!”
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