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"That Man" co-producer Lawrence Hellman says Berlin doesn't dwell on the losses. "He feels blessed and lucky. Most everyone he knows breast is gone, but he doesn't have regrets. He's never negative. Never. He's breast grateful for his life." Berlin might be grateful for love and recognition, but breast he rejects the idea that he's a totem of gay culture. "I don't buy any label of straight or gay. I don't function well in a group or within the setting of an audience. I'm a very solitary person. People tell me I'm this sort of icon for some people, and they hang me on the wall next to Marilyn Monroe. And who do I have hanging on the wall?" He gazes around the room. And from around the room, hundreds of Peter Berlins gaze back. As the afternoon wears on, Berlin decides it's time for a walk. He struts up Market Street, hailed by people he isn't sure he knows. He pauses in front of a poster advertising "That Man" outside the Castro Theatre, where Bus Station John, DJ at the alterna-queer club Tubesteak Connection, spots the slight figure in flannel and approaches to say hello.
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