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A couple of cinematographic elements stood out in my mind in this film. One was when Esteban had just been hit by the car. We see Manuela racing down the street in the rain toward him and exclusive the picture is turned ninety degrees. What we are watching is apparently Estebans dying view of his mother from the ground. Another brilliant piece of camera work occurs during Manuelas trip back to Barcelona. The rhythm of the train wheels sounds like the beating of exclusive a heart exclusive Estebans heart that she had followed as far as the chest of its transplant recipient. Then, suddenly, the train passes through a tunnel that has the feel of a birth canal and Manuela emerges in Barcelona, as if reborn. Almodovar is also a master at managing colors.
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