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All About Your Desire Pedro Almodovar's All About My Mother adds credence to the argument that melodrama is to the postmodern what tragedy was to the ancient rocco movies Greeks: the highest form of poetic expression because its form corresponds to the architecture of the cosmos. To draw a convincing figure of everyday life, the postmodern film (or this one at least) must include too many contradictory elements, too many coincidences, too rocco movies many colliding universes and too many inter-related tragedies to bear. That is, it is only by connecting the visible world of nursing, theatrical rocco movies performance, and middle-class motherhood to the subterranean world of prostitution, transsexualism, heroin use, and AIDS in such a way that all of these elements are interdependent while also being in dramatic contradiction, that the film can hope to generate a structure of feeling adequate to the complexity of urban life. All About My Mother, over the top, highly contrived, and emotionally wrenching, clearly belongs to the second half of Almodovar's opus, an opus which from start to finish has been an interrogation of sexuality and social context.
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