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She realizes buried aspects of herself both despite and because of her terrible loss. Most importantly, Manuela acts, as Stella in the play A Streetcar Named Desire, a role she had played before Esteban was born, but also as an actor among actors. Theatricality appears everywhere and everywhere appears as the "false art" which at once underlies existence and through which true latina girls community might be realized. Indeed, Manuela's previous life, her role as a transplant nurse, also retrospectively appears as an act, although no less latina girls real or important latina girls for all that. Performance becomes visible as the sine qua non of existence and taking control of one's performances becomes Manuela's conduit to buried memory and lost history because it makes her past live again.
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