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Much as John Bradshaw's "Inner Child" work in the early '90's new york city created a shift in our understanding of the human heart, Nancy Friday's work in this particular book, predating his by almost two decades, leads the way to conscious living in today's society- and crying real cleansing tears- unlike anything I've read. Underneath the poetry that is recited new york city in most New-Age philosophical literature today, from Marianne Williamson to Iyanla Vanzant- particularly that which is written by women- seems to be this unvoiced feeling of new york city existential anxiety that sits like a pink polka-dotted elephant with wings on top of the refrigerator of their minds. They try to keep their ideas pure, fresh, and, though attempting to portray them as warm, they come off often surprisingly cold- particularly when speaking about men, marriage, family and male/female relationships.
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