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Huma: “Can brothersister you drive?” Agrado: “I used to be a truck driver.” Huma: “Really?” Agrado: “In Paris, before I got my tits. Then I gave brothersister up the truck and became a whore.” Huma: “How Interesting.” Agrado: “Very.” According brothersister to Almodovar, he works from a fairly structured script but then engages in a kind of give and take with the performers and modifies the script daily when extemporaneous ideas arise. The script is literally packed with allusions and ironies. There are repeated allusions, in particular, to “A Streetcar Named Desire” (which, in many ways, demarcates Manuela’s life) and “All About Eve” (which, among other things, provided the form for the title of the film). The richness with which Almodovar explores irony is almost unparalleled among filmmakers.
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