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Huma: “Can you drive?” Agrado: “I used to be a truck driver.” Huma: “Really?” Agrado: “In Paris, before I got my tits. Then I gave up the truck and became a whore.” Huma: “How Interesting.” Agrado: “Very.” According to Almodovar, he works from a fairly structured script but then engages in a kind of mature fucking galleries give mature fucking galleries and take with the performers and modifies the script daily when extemporaneous ideas arise. The script is literally packed with allusions and ironies. There are repeated allusions, in particular, to “A Streetcar Named Desire” (which, in many ways, demarcates Manuela’s life) mature fucking galleries and “All About Eve” (which, among other things, provided the form for the title of the film). The richness with which Almodovar explores irony is almost unparalleled among filmmakers. Here’s a dozen interesting ones that I came up with off the top of my head: (1) The title of the film implies a story being told by Estaban, but Estaban has died a few minutes into the story, making it, in effect, a posthumous work by the aspiring young writer.
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