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| persepolis: the story of a childhood (1 and 2), comedy, bicurious, blogging, brianna, nursing, lesbian dildo, fetish, closet, thong, taboo, womyn, unf, | Then, suddenly, the train passes through a tunnel that has the feel of a birth canal and Manuela media emerges in Barcelona, as if reborn. Almodovar is also a master at managing colors. In this film, we see numerous examples of bright colors in clothing and cloths, reminding us that this film is about the bright side of life, despite its sometimes squalid subject matter. Themes: I noted four media main themes in this film (there may be others that I missed) and three seem to media me to be largely uncontroversial. One obvious theme is Manuela’s recovery from her tragic loss. She is able to recapture meaning in her life by redirecting her maternal instincts to the many needy people she encounters in Barcelona – Rosa, Agrado, Huma, Nina, and, briefly, Lola. She personifies motherhood from the beginning with her son, through the middle with Rosa and the other women that she helps, and, finally, in the end, with the infant Esteban. |
Best Mature Paysites
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| (12) Life roles, in this film, are, in many ways, just as make-believe and dependent on make-up and make-overs (surgery and implants) as are stage roles. Agrado is nursing able to fill in, when it is needed, and entertains the audience simply by “performing” her authentic life story. Another strong nursing element of Almodovar films is his attention to imagery and colors. A couple of cinematographic elements stood out in my mind in this film. One was when Esteban had nursing just been hit by the car. We see Manuela racing down the street in the rain toward him and the picture is turned ninety degrees. What we are watching is apparently Esteban’s dying view of his mother from the ground. Another brilliant piece of camera work occurs during Manuela’s trip back to Barcelona. The rhythm of the train wheels sounds like the beating of a heart – Esteban’s heart that she had followed as far as the chest of its transplant recipient. |
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