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| persepolis: the story of a childhood (1 and 2), comedy, bicurious, blogging, brianna, nursing, lesbian dildo, fetish, closet, thong, taboo, womyn, unf, | It’s not enough. Lola is literally a killer on the loose. Then, there are some somewhat lesser examples of “choices” that fall outside the realm of harmless choices. Sweet, dear Rosa, for example, has violated her vows and the mothers and daughters sanctity of the profession that she mothers and daughters herself chose simply by having sex, much less with a transsexual drug mothers and daughters abuser in rehab. She put herself at risk of pregnancy and endangered the life of her potential child, not to mention the risk that her child might have to grow up as an orphan. Then there’s the risk that comes with choosing a life of prostitution, as Agrado does – beatings, murders, exploitation, and transmission of venereal diseases. There are also some additional deficiencies in the choices of some of these characters that cannot be admired: Nina’s drug addiction and Huma’s dysfunctional attachment to Nina. |
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| My position differs from each of those views. I strongly support tolerance in all matters of choice and personal preferences in so far as such choices cause no substantial harm. I have no problem with Agrado choosing to be transsexual, for example. My problem is that Almodovar presents a wide range of so-called “deviant” behaviors that run the gamut from harmless ones to ones that are devastatingly harmful (and, hence, immoral) – without fetish drawing fetish any distinction between them. The most egregious example of a “choice” represented in this film that fetish should not be met with tolerance is Lola’s continuing unprotected sexual activity while being HIV positive, exposing who knows how many others besides Rosa and her baby to a life of misery and an agonizing death. Almodovar’s only hint of condemnation of this grossly libertine behavior is when Lola acknowledges to Manuela, near the end, “I was always excessive.” |
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