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Almodovar is also a master at managing colors. In this film, we see numerous examples of bright colors in clothing and cloths, reminding us asian pussy that this film is about the bright side of life, despite its sometimes squalid subject matter. Themes: I noted four main themes in this film (there may be others that I missed) asian pussy and three seem to me to be largely uncontroversial. One obvious theme is Manuela’s recovery from her tragic loss. She is able to recapture meaning in her life by redirecting her maternal instincts to the many asian pussy needy people she encounters in Barcelona – Rosa, Agrado, Huma, Nina, and, briefly, Lola. She personifies motherhood from the beginning with her son, through the middle with Rosa and the other women that she helps, and, finally, in the end, with the infant Esteban. Another theme is the basic decency and humanity of the characters in this film, most of who are marginalized types in society (other than Manuela), often dismissed as deviant or subhuman.
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