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3some, women's studies general, new york city, chicago classifieds, george will, brutal, international video emporiums, chicago alternative weekly, dildos, whatyour mother never told you about sex, auto reviews, ray pride, lesbians / family, miscellaneous, dating, love, black lizard, pregnancy sex life, tits, terrible, gynecologist and patient., outrageous, fiction, about the Victoriaville festival at which Thurston Moore curated a day and invited Wolf Eyes and Hair Police to play was that a lot of people were a put off by their inclusion (even though it turned out that Anthony Braxton played with Wolf Eyes during their set). So I think that if the term "energy music" were popularized (assuming it isn't already) and applied to drunk party these drunk party seemingly disparate areas, drunk party then such collaborations and stage-sharings would seem less incongruous. Also, I remember reading about the new! Scott Walker! album! something like five years ago, before he produced the Pulp album or curated Meltdown. Fan websites were claiming that it would be out soon, really. But apparently he's taken vows not to release more than one album per decade. And that's my lecture. Listen Thursday, 6-9am PST, for some hectoring (though actually I won't be playing much along these lines).
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Go to Main Page | Link | Comments (34) whatyour mother never told you about sex | TrackBack (0)   whatyour mother never told you about sex   Energy whatyour mother never told you about sex music Posted by Ben Wolfsonon 03.08.06 Someone whose real name is "T. Fliss" described the DKV trio, in a review of an AALY Trio + Ken Vandermark live album on Amazon, as playing "energy/avant music". Surprisingly, the term "energy music" doesn't seem to enjoy very wide currency, and what uses of it there are seem mostly to be along the lines of: music to be energetic to, or to spur on energy. But it's really the perfect term for unifying music in what one might otherwise think of as disparate areas—music that's expressive or exemplificative of energy. The unifying principle behind Brötzmann Vater und Sohn, Wolf Eyes, and Paul Flaherty, discovered at last! I suppose the links between noise and really raucous free jazz/improv aren't exactly unknown (I guess Borbetomagus have been successfully going back and forth for a while), but the impression I got from reading scattered reports online
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