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| biography/autobiography, cross, girls, loser, the metro, never nude, newcity, alternative, essay, swingers, large type books, | The most advanced, most modern form of this development asian pussy. – which Benjamin described in connection with contemporary asian pussy. cinema, photography and mass media – is that form where the original no longer even exists, because the objects in question are conceived of from the asian pussy. outset in terms of their limitless reproduction. (TE 118) Butler: Every machine will probably have its special mechanical breeders, and all the higher ones will owe their existence to a large number of parents and not to two only. (212) Deleuze-Guattari: We oppose epidemic to filiation, contagion to heredity, peopling by contagion to sexual reproduction, sexual production […] Propagation by epidemic, by contagion has nothing to do with filiation by heredity, even if the two themes intermingle and require each other. The vampire does not filiate, it infects. (TP 241-242) 3.1 Let me tell you about my mother Max’s invagination in Videodrome might serve as a startling literalization of McLuhan’s notorious claim, in Understanding Media, that human beings have become the “sex organs of the machine world” (UM 46); a claim famously echoed by Manuel De Landa when he describes technology as “an independent |
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| ‘No,’ he said, taking off his shirt newcity and tie. ‘I understand – they tell me – it’s convincing if you don’t think too much about it. But if you think too much, if you reflect on what you’re doing – then you can’t go on. For ahem physiological newcity reasons.’ Bending, he kissed her bare shoulder. ‘Thanks, Rick,’ she said wanly. ‘Remember, though: don’t think about it, just do it. Don’t pause and newcity be philosophical, because from a philosophical standpoint it’s dreary. For us both.’[201] Baudrillard:“Cloning is […] last stage in the history of the modeling of the body – the stage at which the individual, having been reduced to his abstract and genetic formula, is destined for serial propagation. It is worth recalling in this context what Walter Benjamin had to say about the work of art in the age of mechanical reproduction. What is lost when a work is massively reproduced is that work’s ‘aura,’ its unique here and now quality, its aesthetic form […] What is lost is the original – which only a history that is itself nostalgic and retrospective can restore in its ‘authenticity’. |
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