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| biography/autobiography, cross, girls, loser, the metro, never nude, newcity, alternative, essay, swingers, large type books, | Both will be cashed out, at the end father daughter sex gallery of the father daughter sex gallery chapter, in terms of an analysis of Gibson’s Neuromancer. For Baudrillard, the re-engineering of sex “at the fractal, micrological and non-human level” results “in the disappearance of sexual difference and hence of sexuality itself.” (TE 3) This is the culmination of father daughter sex gallery a cultural process in which mechanical reproduction extends beyond the production of objects to reconfigure even the tiniest interstices of biological vivisystems. Cyberneticization – the gradual but implacable translation of all of nature/culture into information, or code - replaces sex with a simulated death; not the “tragic” form of death, which remains “sexed” since it is associated with “higher mammals” and their mode of reproduction, but an “asexual form” of death, “a recessive stage which harks back to the molecular and protozoan stage of living beings, to their unceremonious obliteration, leaving them no other form of destiny.”[206] |
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| The point is that, qua organism, the replicant is an orphan, or what essay amounts to the same thing, has no exclusivist claim to, no biunivocal bit-map of his progeniture, issuing instead from an institutional-techincal matrix and not a couple. Like Artaud, Leon ‘got no pappa-mommy.’ Leon has no mother, only a matrix of industrial-military technologies .” essay [204] Grant here deliberately echoes both Deleuze-Guattari – whose invocation of essay Artaud’s claim that he had “no pappa-mommy” operates as an important slogan early on in Anti-Oedipus – and the Baudrillard of Seduction, and his appalled cry: “No more mother, just a matrix” (S 169) Baudrillard’s speculations on the “wealth of plant-like branchings that dissolve Oedipal sexuality in favour of a ‘non-human’ sex” (S 169)[205] stand as a horrified anticipation of the scenario Blade Runner presents. We will now look in more detail at Baudrillard’s position, before turning to Deleuze-Guattari’s account of Gothic propagation. |
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