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| biography/autobiography, cross, girls, loser, the metro, never nude, newcity, alternative, essay, swingers, large type books, | So where Baudrillard’s “negativized Gothic” proceeds by way of identifying an increasing perfection in the techniques of artifical reproduction (leading, in his view, to a triumph of a post-sexual necrotic culture), Deleuze-Guattari follow the Gothic line in identifying modes of replication threesome sex that cut across organic reproduction altogether. Instead of identifying, as Baudrillard does, the escape from (sexual) reproduction with an increase in sameness, Deleuze-Guattari argue that “anorganic propagation” is a feature of multiplicity. Blade Runner, once again, threesome sex provides an exemplary case-study for the crosshatching threesome sex of these two approaches, as Iain Hamilton Grant establishes in his commentary on its opening scene: When replicant Leon responds to bladerunner Holden’s question ‘let me tell you about my mother ... [shots propel Holden through the plate glass window into the street many floors below]’, the bullets may not offer stories of his mother, but the unmistakable technological phenotype of their impact etches Leon’s military-industrial genealogy in scar tissue over Holden’s damaged body. |
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| species of machine-flowers that simply did not possess its own reproductive organs during a segment of its evolution.” [202] The “grotesquely sexual nightmare images” of Videodrome bring us to one of the abiding preoccupations of Science Fiction alternative and Horror: the displacement, or deterritorialization, of alternative sexual reproduction. Is it the case, as Scott Bukatman suggests, that Max Renn become “part of [a] massive system of reproductive technology”?[203] Or is it the case that, in the world of Videodrome alternative and of cyberpunk in general, nonorganic replication has escaped the net of “filiative” reproduction? Both Deleuze-Guattari and Baudrillard offer theorizations of reproduction, but whereas Baudrillard continues to take sexual reproduction as the paradigm, critiquing simulated-reproduction for its deviation from the sexual model, Deleuze-Guattari oppose all reproduction (sexual or otherwise) to a model of “contagion”, a non (or hyper)sexual mode of replication which takes its cue from vampirism, lycanthropy and disease. |
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